This article reminded me of Joana Så’s influenced style of John Cage’s “the wonderful widow of 18 springs”. Joana Sa made a full length movie of her performing with a piano, THROUGH THIS LOOKING-GLASS, the same way John Cage did; using the piano as a percussion instrument. Though she uses the same idea that Cage did, she does so in a different expressive way; Even if they use the same idea, it is its own unique rendition. Many artists have taken John Cage’s ideas and done their own version, such as BBCs’ 4’33, Joana Sa’s multiple Cage covers, Tetsuo Kogawa’s radio pieces, and the countless youtube and vimeo John Cage covers out there.
I also think that it is kind of freaky how he humorously predicted the use of software to track down samples. Last semester a girl told the class how a video she had got flagged for copyright against a Michael Jackson song, when in fact she did not even use a song, it was an original composition.
Also, why make a sampler when it is illegal and dangerous to sample up to an extent? Its kind of like ‘why make bongs when its illegal to smoke pot?’ or even ‘why make cars go up to 70 when that’s the average speed limit in highways?’ ‘why provide the technology to rip music out from cds ?’ copyright sux